Love in the Time of Cholera- Gabriel Garcia Marquez
By: Melissa Watson Shotton
ENG 4UE- 02
December 10, 2008
English Dept.
From day one Florentino Ariza is different, it is evident from the way he
dresses, thinks and writes. He views the world in such a way that
everything has to do with love. Florentino Ariza is consumed with a
need to love that cannot be shaken even by his most heartbreaking
rejection. When he first sees Fermina Daza through a doorway
reading to her aunt, he is swept up into a world of passionate, undying
love- from which he will not return. Now begins a love affair of letters
back and forth for over two years. Florentino Ariza and Fermina Daza,
in their naïve youth, promise themselves to each other, however only
one keeps that promise. At the age of eighteen Fermina Daza
realized that the love they shared, at least on her part, was an illusion.
She ends their affair with a simple no and walks away. “She just
managed to think: My God, poor man! Florentino Ariza smiled, tried to
say something, tried to follow her, but she erased him from her life with
a wave of her hand. ‘No, please,’ she said to him. ‘Forget it.’” [p.102,
Marquez] Florentino Ariza believes their love is true and that it is only a
matter of time before Fermina Daza realizes this fact. Florentino Ariza
truly loves Fermina Daza but he is so passionate and so full of love
that he cannot wait for her without risking his own life; therefore he is
justified in having numerous sexual relations with various women. His
passion for love is demonstrated through his writing and by sleeping
with a multitude of women Florentino Ariza is able to decrease the
emotional pain he feels by Fermina Daza’s rejection, he is able to
release some of the love he has bottled up inside and he does so
much for Fermina Daza that his sexual relations should be of no
consequence when they finally end up together.
Florentino Ariza is tormented by love, and yet he continues loving.
His love is demonstrated through his writing, all the letters he writes to
Fermina Daza are beautiful, lyrical and in prose. When Florentino
Ariza first decides to let his feelings be known to Fermina Daza he
decides to tell her in a letter in which he describes how amazing and
beautiful she is. “[…] he decided to send Fermina Daza a simple note
written on both sides of the paper in his exquisite notary’s hand. But he
kept it in his pocket for several days, […] and while he thought he
wrote several more pages before going to bed, so that the original
letter was turning into a dictionary of compliments, […]” [p.56-57]
Florentino Ariza’s future letters to Fermina Daza are as poetic and
lyrical as the first. Poetry and books he has learned by heart, from
reading the books over and over again, influence him. When Fermina
Daza receives the first letter from Florentino Ariza she takes a long
time answering and Florentino Ariza becomes desperate and makes
himself sick by drinking a bottle of cologne and eating flowers.
Eventually she does respond and they fall “into devastating
love.” [p.68] They wrote to each other every day building the fire of their
love. Fermina Daza wrote letters of her daily life keeping herself at a
distance while Florentino Ariza wrote letters of his love for her, writing
himself into every line. “In reality they were distracted letters, intended
to keep the coals alive without putting her hand in the fire, while
Florentino Ariza burned himself alive in every line.” [p.69]
When Fermina Daza rejects Florentino Ariza, she rips his heart out
at leaves it lying in the dirt of the market, he is devastated but not
without hope. Florentino Ariza is convinced that Fermina Daza will
remember her love for him and he is prepared to wait even forever. He
decides that he needs to improve his standing in life to be able to
deserve Fermina Daza. Florentino Ariza’s Uncle Leo the XII is the
manager of the RCC and gives Florentino Ariza a respectable
position that requires Florentino Ariza to write professional business
letters, unfortunately he is incapable of this task.
“Florentino Ariza wrote everything with so much passion that even
official documents seemed to be about love. His bills of lading were
rhymed no matter how he tired to avoid it, and routine business letters
had a lyrical spirit that diminished their authority. His uncle himself
came to his office one day with a packet of correspondence that he
had not dared put his name to, and he gave him his last chance to
save his soul.” [p.167]
Florentino Ariza despite his valid efforts does not succeed in writing a
professional business letter and is demoted to picking up trash on the
docks. However no matter how humiliating or hard the job was
Florentino Ariza faced it with determination and capability, nothing
could get him down. Unfortunately because he could not use his driving
sense of love in his work he had to find a different outlet for his
passion.
This is when Florentino Ariza began spending “his free time in
the Arcade of the Scribes, helping unlettered lovers to write their
scented love notes, in order to unburden his heart of all the words of
love [.]” [p.168] Florentino spent hours pouring his heart into love letters
for other people when all he could think about was Fermina Daza. To
answer a love letter, he would imagine the response Fermina Daza
might have given him, this is one of the reasons Fermina Daza was
always a part of Florentino Ariza’s life. Then after several months of
writing love for other people he decide to write a book of love letters
for the common person. The letters made up three volumes, in which
he imagined every situation that he and Fermina Daza might find
themselves in and various solutions, Florentino Ariza called it: Lover’s
Companion. It “was more poetic and extensive than the one sold in
doorways for twenty centavos and that half the city knew by
heart.” [p.172] Florentino Ariza was so tormented by the pains of love
that his mother, who had encouraged him up until this point, began to
be very concerned for his health.
Transito Ariza sent her son away to Villa de Leyva to fill the
position of a telegraph operator in hopes that he would forget about
Fermina Daza. Florentino Ariza was kept awake his first night on the
ship because he thought he could hear Fermina Daza’s voice in the
river breeze. Throughout the journey of forgetting Florentino passed
the days in the same routine way, and always thinking of Fermina
Daza. Everything reminded Florentino Ariza of his beloved, even the
dead bodies that floated by, which had suffered through cholera or
war, until one night when he was assaulted by a woman. The unknown
woman pulled him, unseen, into a cabin and stripped him of his virginity, which he
had promised to Fermina Daza.
“The assault had been so rapid and so triumphant that it could only be understood not
as a sudden madness caused by boredom but as the fruit of a plan elaborated over
time and down to its smallest detail. This gratifying certainty increased Florentino Ariza’s
eagerness, for at the height of the pleasure he had experienced a revelation that he
could not believe, that he even refused to admit, which was that his illusory love for
Fermina Daza could be replaced by an earthly passion.” [p.143]
With the sexual assault Florentino realized that he could alleviate the pain he feels at
not being able to love Fermina Daza properly. With this one quick act Rosalba, Florentino
Ariza’s mystery woman, showed him that if only for a brief period, he can escape the pain
of unrequited love through sex. Thoughts of Rosalba carried him through the rest of the
trip, however when she got off the ship Florentino Ariza convinces the captain to take him
home because he did not care about the telegraph position anymore; he just wanted to
be in his own city where “the lady of his misfortune” [p.148] would be with her new
husband.
Once he returned home he was overwhelmed by the scent of
Fermina Daza, however he took refuge in his memories of Rosalba in
the hopes or replacing one love with another, eventually the scent of
Fermina Daza become less frequent and the pain of remembering
less intense. Around this time he met Widow Nazaret, a young woman
whose husband had died three years prior and whose house a cannon, from
one of the constant civil wars, had hit recently. Florentino Ariza was confused by her
immediate action of stripping herself of her mourning by removing her “widow’s
weeds.”[p.149] however he remembered the pleasure of Rosalba and willingly opened
his bed to Widow Nazaret. “The Widow Nazaret never missed her occasional
appointments with Florentino Ariza, not even during her busiest times, and it was always
without pretensions of loving or being loved, although in the hope of finding something
that resembled love, but without the problems of love.” [p.150-151] They enjoyed each
other’s company because they both could not be with the one they most wanted to be
with in the world, and therefore found what pleasure they could in sex and each other.
Olimpia Zuleta was a young girl with intelligent and amusing things to say and a
melodious voice with which to say them. Her husband sold trinkets in the city market and
used the RCC’s ships to transport his merchandise. When Florentino Ariza saw Olimpia
Zuleta’s husband leaving the port he went by her house seemingly innocently and she
gave him a carrier pigeon as a thank you gift for taking her home that night. The pigeon
made several trips back and forth between the two and they became lovers. Shortly
before meeting Olimpia Zuleta, Florentino Ariza’s mother’s illness had become so
severe that she no longer had any memories left; she could not even remember her son.
Florentino Ariza spent his nights caring for his mother so he had stopped what social life
he had had, but Olimpia Zuleta changed that. He felt for her what he had not felt since his
disheartening youth.
“He was a different person: the lover who never showed his face,
the man most avid for love as well as most niggardly with it, the man
who gave nothing and wanted everything, the man who did not allow anyone to leave a trace of her passing in is heart, the hunter lying in ambush- this man went out on the street in the midst of ecstatic signed letters, gallant gifts, imprudent vigils at the pigeonkeeper’s house, even on two occasions when her husband was not on a trip or at the market. It was the only time, since his youngest days when he felt himself run through by the lance of love.” [p.216]
When they found themselves in a cabin on of the RCC’s ships Florentino Ariza wrote, in the moment’s excitement, a message on his new lover’s belly. Her husband then slit her throat with his razor after he saw the message. Florentino Ariza did not find out until days later. He kept track of the murderer’s whereabouts, not because he was afraid of being killed and not because he was worried about scandal, Florentino Ariza was worried that his lovely Fermina Daza might find out about his unfaithfulness.
One of his longest affairs was with a woman he met at the annual Poetic Festival, which was hosted by Fermina Daza. Sara Noriega amazed Florentino Ariza when she gave her condolences to him when his poem did not win at the Poetic Festival; he was surprised that anyone knew. Although Sara Noriega is much older than Florentino Ariza she still made him very happy, at least for a time. They both enjoyed poetry and she was passionate about loving as he is,
“She would defend herself, saying that love, no matter what else is might be, was a natural talent. She would say: ‘You are either born knowing how, or you never know.’” [p.198] They got along so well and he enjoyed her so much, despite her furious cat, that he started loving her. However he knew that he would never love her like he loved Fermina Daza and he became restless as he always does when he is no longer satisfied with the woman he is with. After spending five years with Sara Noriega he left her house one night and never saw her again.
“When he realized that he felt happy with her, above all in bed, but that she would never replace Fermina Daza, he had another outbreak of his nights as a solitary hunter, and he arranged matters so that he could portion out his time and strength as far as they would go. Sara Noriega, however, achieved that miracle of curing him for a time. At least now he could live without seeing Fermina Daza, instead of interrupting whatever he was doing at any hour of the day to search for her […]” [p.201-202].
Florentino Ariza always believed that he would be with Fermina Daza even if it took longer than expected and it took fifty-one years, nine months and four days. Florentino Ariza “[…] always behaved as if he were the eternal husband of Fermina Daza, an unfaithful husband but a tenacious one, who fought endlessly to free himself from his servitude without causing her the displeasure of a betrayal.” [p.197] Florentino Ariza does do much for Fermina Daza that taking this pleasure for him self is a small price for his sanity and it keeps him loving. When he was young and the wound of Fermina Daza’s
rejection was still stinging, Florentino Ariza convinced his mother to continue the renovations of their house to prepare it for Fermina Daza. “Winning back Fermina Daza was the sole purpose of his life, and he was so certain of achieving it sooner of later that he convinced Transito Ariza to continue with the restoration of the house so that it would be ready to receive her whenever the miracle took place.” [p.173] Transito Ariza bought the whole house to please her son, regardless of the fact that the woman he loved was already married to Dr. Urbino and pregnant with their first child.
When Florentino Ariza saw Fermina Daza for the first time in two years, when she got back from her honeymoon, he saw her coming out of mass six months pregnant. He realized that he would have to become more than what he was to be able to stand next to Fermina Daza, a new women moving up in the world.
“[…] he made a fierce decision to win fame and fortune and in order to deserve her. He did not even stop to think about the obstacle of her being married, because at the same time he decided, as if it depended on himself alone, that Dr. Juvenal Urbino had to die.” [p.165]
Florentino Ariza presented himself in his Uncle’s office and asked for a job and the RCC. Uncle Leo XII was disappointed that Florentino Ariza had thrown away the telegraph job but he gave him a job anyway. Florentino Ariza worked his way up in the navigation business and when Uncle Leo XII passed away Florentino Ariza took his place as head of the River Company of the Caribbean. During his
remaining days Uncle Leo would not talk about his company and would not see anyone who might pity him. However, he would see Florentino Ariza and never failed to mention that he wished Florentino Ariza would marry, which is something else that Florentino Ariza gave up for Fermina Daza.
Florentino Ariza had many relationships with different women and he loved some of them. He could have married and had a happy life but no, he decides to live a life of anguish, insomnia and random affairs waiting for Fermina Daza. Leona Cassiani is a woman who tracked Florentino Ariza down to ask for a job, he thought she was a whore and rejected her saying he would never pay for love. Leona Cassiani said she knew who he was and she was life him too. This was the big mistake in his life, he wanted her and she wanted him unfortunately he waited to long and she grew up and moved on.
“‘Tell me something, lionlady of my soul,’ he said. ‘When are we ever going to stop this?’ […] ‘Ay Florentino Ariza,’ she said, ‘I’ve been sitting here for ten years waiting for you to ask me that.’ It was too late: the opportunity had been there with her in the mule-drawn trolley, it had always been with her there on the chair where she was sitting, but not it was gone forever. The truth was that after all the dirty tricks she had done for him, after so much sordidness endured for him, she had moved on in life and was far beyond his twenty-year advantage in age: she had grown too old for him. She loved him so much that instead of deceiving him she preferred to continue loving him, although she had to let him know in a brutal manner.” [187-188]
If Florentino Ariza had not been consumed with the agony of waiting for Fermina Daza then he would have acted on the situation presented to him with Leona Cassiani he would have had a wife to come home to, a wife who had helped move up in the world despite the enemies trying to tear him down.
Fermina Daza made a life for herself, with a husband who gives her a wealthy lifestyle and two children. She never suspects that Florentino Ariza went to the city events just to see her; when everything he did was for her or because of her. Florentino Ariza truly loves Fermina Daza but he cannot wait for her forever without going insane. Therefore he is justified in having numerous sexual relations with various women. Florentino Ariza is full of passion, love and hope. His inability to write anything that is not for love and that fact that he wrote love letters for “unlettered lovers” [p.168] while thinking of her, demonstrates his large quantity of love and his need to share it. Florentino Ariza finds a sort of peace in the beds of other women, he loves Fermina Daza but the pain of unrequited love is at times unbearable therefore he has to find a way to ease his pain. He learned at a young age that sleeping with women is a valid way of doing this. He does feel for the women he as affairs with, just not as much as he feels for Fermina Daza he once said “My heart has more rooms than a whore house” [p.270] Florentino Ariza has his house remodelled for his beloved and waits most of his life for her. He gave up a potential life of marriage because he was addicted to waiting for Fermina Daza. He was “Unfaithful but not disloyal.” [p.269]
Marquez, Gabriel Garcia. Love in the Time of Cholera. United States and Canada: (Corporations of) Random House Inc., 2003.
N/A, “Love in the Time of Cholera Gabriel García Márquez “. SparkNotes. November 2008 <http://www.sparknotes.com/lit/cholera/study.html>.